Penguin Select Classics: A Room of One's Own: (Original, Unabridged Classic)

“So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say.”

It’s the 20th century and Virginia Woolf is invited to speak to a roomful of young writers at a few colleges. She left the room and society at large perplexed with the thoughts she raised. Would Shakespeare’s sisters be given the same room to flourish if she had his skill sets? Can a women flourish if given the physical space to be by herself and ideate? Can a woman find a professional identity if not infrastructurally empowered? As a society do we allow this?

This book, although a work of fiction with a fictitious narrator and setting, is inspired by the lectures delivered by Woolf. As a revolutionary work, it remains poignant and relevant even today as we seemingly progress to an equal society but struggle with conditionings of gender roles. Despite its heavy subject, it’s an enjoyable, funny, sarcastic, and sensitive read; like a conversation with a dear friend.

Virginia Woolf is now recognized as a major twentieth-century author, a great novelist and essayist and a key figure in literary history as a feminist and a modernist. Born in 1882, she was the daughter of the editor and critic Leslie Stephen, and suffered a traumatic adolescence after the deaths of her mother, in 1895, and her step-sister Stella, in 1897, leaving her subject to breakdowns for the rest of her life. Her father died in 1904 and two years later her favourite brother Thoby died suddenly of typhoid.

With her sister, the painter Vanessa Bell, she was drawn into the company of writers and artists such as Lytton Strachey and Roger Fry, later known as the Bloomsbury Group. Among them she met Leonard Woolf, whom she married in 1912, and together they founded the Hogarth Press in 1917, which was to publish the work of T. S. Eliot, E. M. Forster and Katherine Mansfield as well as the earliest translations of Freud. Woolf lived an energetic life among friends and family, reviewing and writing, and dividing her time between London and the Sussex Downs. In 1941, fearing another attack of mental illness, she drowned herself.

Her first novel, The Voyage Out, appeared in 1915, and she then worked through the transitional Night and Day (1919) to the highly experimental and impressionistic Jacob's Room (1922). From then on her fiction became a series of brilliant and extraordinarily varied experiments, each one searching for a fresh way of presenting the relationship between individual lives and the forces of society and history. She was particularly concerned with women's experience, not only in her novels but also in her essays and her two books of feminist polemic, A Room of One's Own (1929) and Three Guineas (1938).

Her major novels include Mrs Dalloway (1925), the historical fantasy Orlando (1928), written for Vita Sackville-West, the extraordinarily poetic vision of The Waves (1931), the family saga of The Years (1937), and Between the Acts (1941). All these are published by Penguin, as are her Diaries, Volumes I-V, and selections from her essays and short stories.